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Erwin Blumenfeld- Markings on Aristide Maillol Sculpture For Verve, 1937.

Erwin Blumenfeld- Markings on Aristide Maillol Sculpture For Verve, 1937.

 Farhad Moshiri, Curl, 2012.

Farhad Moshiri, Curl, 2012.

Leanne Eisen, untitle, scanner experiments, 2009.

Leanne Eisen, untitle, scanner experiments, 2009.


Vika Falileeva backstage @ Christian Dior Haute Couture

Vika Falileeva backstage @ Christian Dior Haute Couture

(Source : pylore, via missavagardner)

nycartscene:

Opens Tonight (Oct 28) 6-9p:Nava Lubelski “Roomful”
 LMAKprojects 139 Eldridge St, NYC“Lubelski uses vastly different surfaces to hold her organic sewing, from a chair, to an eviscerated electric blanket, to a factory reject of misaligned army badges. The objects have been discarded as useless, yet still have a sense of presence and of history, of quietly embodied dramas. Their mass produced designs may contain little aesthetic intention or craftsmanship, but Lubelski’s detailed hand stitching is worked throughout their patterns creating a new identity; a chair becomes a sculpture, and a blanket a drawing. The work draws attention to the beauty of the structure and repetition and points out imperfections, which in turn alert the viewer to the unique qualities of the object.” through December 11th

nycartscene:

Opens Tonight (Oct 28) 6-9p:

Nava LubelskiRoomful

 LMAKprojects 139 Eldridge St, NYC

“Lubelski uses vastly different surfaces to hold her organic sewing, from a chair, to an eviscerated electric blanket, to a factory reject of misaligned army badges. The objects have been discarded as useless, yet still have a sense of presence and of history, of quietly embodied dramas. Their mass produced designs may contain little aesthetic intention or craftsmanship, but Lubelski’s detailed hand stitching is worked throughout their patterns creating a new identity; a chair becomes a sculpture, and a blanket a drawing. The work draws attention to the beauty of the structure and repetition and points out imperfections, which in turn alert the viewer to the unique qualities of the object.” through December 11th

(via lovecrywant)

Vilhelm Hammershoi - Interior (1898)

Vilhelm Hammershoi - Interior (1898)

Matt Ledwidge.

Matt Ledwidge.

(Source : mattledwidge)

Clair Dorn. www.clairedorn.com

Clair Dorn. 
www.clairedorn.com

Erwin Blumenfeld- Markings on Aristide Maillol Sculpture For Verve, 1937.

Erwin Blumenfeld- Markings on Aristide Maillol Sculpture For Verve, 1937.

Beth Hoeckel.

Beth Hoeckel.

 Farhad Moshiri, Curl, 2012.

Farhad Moshiri, Curl, 2012.

Leanne Eisen, untitle, scanner experiments, 2009.

Leanne Eisen, untitle, scanner experiments, 2009.


Vika Falileeva backstage @ Christian Dior Haute Couture

Vika Falileeva backstage @ Christian Dior Haute Couture

(Source : pylore, via missavagardner)

TV 00:00

TV 00:00

nycartscene:

Opens Tonight (Oct 28) 6-9p:Nava Lubelski “Roomful”
 LMAKprojects 139 Eldridge St, NYC“Lubelski uses vastly different surfaces to hold her organic sewing, from a chair, to an eviscerated electric blanket, to a factory reject of misaligned army badges. The objects have been discarded as useless, yet still have a sense of presence and of history, of quietly embodied dramas. Their mass produced designs may contain little aesthetic intention or craftsmanship, but Lubelski’s detailed hand stitching is worked throughout their patterns creating a new identity; a chair becomes a sculpture, and a blanket a drawing. The work draws attention to the beauty of the structure and repetition and points out imperfections, which in turn alert the viewer to the unique qualities of the object.” through December 11th

nycartscene:

Opens Tonight (Oct 28) 6-9p:

Nava LubelskiRoomful

 LMAKprojects 139 Eldridge St, NYC

“Lubelski uses vastly different surfaces to hold her organic sewing, from a chair, to an eviscerated electric blanket, to a factory reject of misaligned army badges. The objects have been discarded as useless, yet still have a sense of presence and of history, of quietly embodied dramas. Their mass produced designs may contain little aesthetic intention or craftsmanship, but Lubelski’s detailed hand stitching is worked throughout their patterns creating a new identity; a chair becomes a sculpture, and a blanket a drawing. The work draws attention to the beauty of the structure and repetition and points out imperfections, which in turn alert the viewer to the unique qualities of the object.” through December 11th

(via lovecrywant)

Vilhelm Hammershoi - Interior (1898)

Vilhelm Hammershoi - Interior (1898)

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